Not knowing what to expect from a one-day conference, I was thoroughly impressed, first with the community of narrators – professionals who work more often than not, alone in a sound booth and hail from all over the country. I discovered it is a close knit group, not large in number, that is highly supportive of one another. And warmly appreciative of bloggers and sites that feature their work and personally promote audiobooks. (more…)
Archive for the ‘audio books’ Category
It’s time for another All Reviews column here at Speaking of Audiobooks. Eight audiobooks are up for review including Laura Kinsale’s The Prince of Midnight (no link yet for the audio), Rachel Gibson’s Simply Irresistible, Julie James’ Love Irresistibly, Julie Garwood’s Prince Charming, Cynthia Eden’s Die for Me, J.D. Robb’s Calculated in Death, Jeaniene Frost’s Twice Tempted, and Sophie Kinsella’s Wedding Night.
The Prince of Midnight – Laura Kinsale
Narrated by Nicholas Boulton
Review written by Lea Hensley
It’s finally here. Romance listeners have eagerly awaited The Prince of Midnight, the first audio release from Laura Kinsale’s fascinating backlist. Earlier this year, Ms. Kinsale announced that her entire backlist (twelve titles) would be released in audio during 2013 and into 2014 and now we have a taste of Kinsale’s skillful writing combined with Nicholas Boulton’s talented performance. It’s sheer audio perfection. (more…)
When making a decision to buy an audiobook, the cover doesn’t influence my choice one way or another. If I want a particular audiobook, I’ll buy it, and if I don’t like the cover, I’ll remind myself that with my iPod, I’ll seldom see it.
But can an attractive or catchy cover influence me to take a second look at a book by an author unfamiliar to me? Or does a non-appealing cover have the power to repel me enough that I won’t consider taking a deeper look at an unknown author? The answer to both of those questions is a “most definitely.” Do those second looks lead to an audio purchase? I admit that it seldom does but if a cover speaks to me, I’m often inspired to take a closer look at the synopsis and reviews.
When you consider that choosing the right audiobook is a series of decisions as one must consider the author, narrator, and the publisher’s history of production quality as well as the synopsis and reviews, I think a case can be made that audiobook covers need to make an even stronger statement than their fellow print versions. After all, their duty is to attract listeners despite the fact that both the author and narrator may be unfamiliar to the buyer. And that’s what a cover is to me – a sales job. Can they entice me to stop and look just a little longer? (more…)
It’s time for another All Reviews column here at Speaking of Audiobooks. Six audiobooks are up for review including Rachel Gibson’s It Must Be Love, Pamela Clare’s Breaking Point, Julie Garwood’s The Secret, Jayne Ann Krentz’s Dream Eyes, Diana Miller’s Dangerous Affairs, and Maya Bank’s Rush.
It Must be Love by Rachael Gibson
Narrated by Rebecca Tripp
Review written by Carrie
I’ve read all Gibson’s books and was excited about listening to It Must Be Love on audio. I’m pleased to say the narrator is a win, but certain aspects of the plot make the book less enjoyable than I remembered.
Gabrielle, our heroine, mixes herbal remedies and essential oils and talks about auras and karma. She meditates and chants and attempts to find her peaceful center. The street festival in our local university town would be an ideal place to find Gabrielle, and perhaps that’s also true for Boise, Idaho where the book is set. While many of the beliefs Gabrielle espouses are still quite popular, the New Age phenomenon was much more prominent in pop culture when the book was published in 2000. (more…)
Last June during June Is Audiobook Month, I penned a complaint here at Speaking of Audiobooks about the Audie Awards and how out of touch they were with the romance listening community. What are the Audie Awards? Sponsored by the Audio Publishers Association, they give recognition to those within the industry for excellence in narration, direction, and engineering. The 2013 awards gala is scheduled for May 30th this year.
Romance listeners in the past have talked very little about the Audie Romance Finalists here at Speaking of Audiobooks and at our Romance Goodreads group. Why pay attention to an awards ceremony that often doesn’t even fill the romance category with books actually categorized as romance? After all, the Romance winner in 2011(The Secret Diaries of Charlotte Bronte by Syrie James) was categorized as general fiction. I understand that the list of romance finalists is not meant to be a statement of romance listeners’ favorites. However, generally those lists (and the winners) haven’t generated many warm fuzzies among the romance listening community. (more…)
There’s a new trend sweeping the audiobook industry and it’s the frequent use of untrained narrators. Narrators who are more likely to take away from the audiobook experience rather than add to it. It’s a trend that I hope will simply spend itself and go away, but one which I’m afraid is here to stay. I can only assume that somewhere along the line, the decision to use untrained narrators (with lower pay) translates into the ability to produce more audiobooks. But in the process, an invisible price is paid as the listener’s trust slowly erodes. How many listeners will continue to buy audiobooks (or even use the library) if the experience is less than enjoyable? It’s not only a waste of the listener’s money but their time as well.
Fortunately, there are still a number of audiobook publishers who choose to use well-trained narrators for the majority of their releases. As we often see expressed here at Speaking of Audiobooks, listeners develop a trust relationship with narrators, so much so, that listeners are known to follow narrators as well as authors from one audiobook to the next. (more…)
It starts this month with the release of Julie Garwood’s The Secret, a book that has made every AAR Top 100 Romances Poll since it started in 1998. It’s classic Julie Garwood and one many recall from their early days of romance reading with its original 1992 publication date. And it is being narrated by one of my favorites for historical romance – Susan Duerden.
Brilliance has scheduled the majority of Garwood’s backlist (that is not already in audio format) for release in 2013. A month ago, we saw the release of Prince Charming (Rosalyn Landor) with projected release dates for: (more…)
It’s once again time to take a look at the previous twelve months of listening and choose my Top Ten romance audios for the year. Over the past two weeks, I’ve relistened to portions of each of these choices, bringing vividly to life the reasons for their inclusion on this list. I recall my excitement and pleasure as I listened to each of these outstanding releases.
I find I’m no longer a purist when it comes to my romance listening. Oh, I still require a thread of romance or the potential (in a continuing series) for such but my favorites no longer have to feature the romance first and foremost. And this year’s Top Ten is evidence of such with books bordering on women’s fiction, paranormal with future romance potential, or fantasy with overtones of romance. (more…)
Reading tastes often change over the years – I realize that. But I find the degree of change I’ve seen in my life over the past five years to be on the rather surprising side. At one time, I knew my favorite romance sub-genres and stuck to them faithfully. If I tired of one, I moved to another, knowing a break would allow me to regain interest in the first. The genres that totally captured my attention five years ago were historical (any setting) and contemporary romance – period. If a contemporary romance developed a whodunit, the grade went down. If a historical heroine started helping the super spy hero find the bad guy or investigate a mystery (usually with no such experience on her part), I could barely finish the book. I needed my contemporary and historical romance titles to be purely just that with no whodunits thrown in. (more…)