Even a casual visitor to the AAR message boards quickly learns one thing: We are an opinionated bunch.
And in just about every thread somebody posts about a plot device they loathe. Be it a couple who jumps into bed right off the bat or an arranged marriage, the list of plot devices that we loathe seems to number in the thousands. Maybe millions.
Okay, maybe I’m exaggerating a bit here, but not by much. We’re a bunch of cranky pants.
And, when you think about it, we’re leaving authors with little to nothing to work with. Because constructing a plot that doesn’t feature any of the devices that someone loathes would be nearly impossible.
Here’s what I think: We’ve gotten so narrow in our list of what we’re looking for when we read, that we’re denying ourselves a whole lot of good stuff.
Three years ago I
With the relentless bad news lately, what better time for a little pick me up in the form of the Edward Bulwer-Lytton contest winners announced just this week?
Okay, so maybe it’s just me who can’t, but I really don’t think so.
When I was at the RWA conference this past summer, someone asked me how long I’d been reviewing online. “Since 1998,” I replied. Then saw the double take. “1998???”
Disclaimer: This is a rant from a consumer’s point of view. No wait, a pissed off consumer’s point of view.
I have a confession to make. In the past month, I bought more collectible anthologies than I should from Cemetery Dance, a small press specializing in horror. When I signed up for their newsletter, I wasn’t expecting this, not when so many publisher newsletters give me the doldrums. Whoops. Before you knew it, I had ordered several gorgeous hardcovers. They enticed me from right off the bat with phrases words like “72% off” and “Free book” right in the subject lines. Usually, I hate it when companies fill my inbox with lots of offers, but I couldn’t wait to see what they were offering next. Who wants to be left behind?









