Recently we’ve seen a spate of books made into movies – Ender’s Game, Catching Fire and The Book Thief being three of the most recent. Which got me to thinking about romance novels I think would make excellent films or TV series. Books that I feel contain enough grit and depth to appeal to a wider audience while still containing the kind of luscious love stories that romance fans adore. I’ve added some casting hints just in case Hollywood needs the help. Here’s my list:
1. Nobody’s Baby but Mine – Susan Elizabeth Phillips – The story: Football hero and brainy scientist meet in the most unusual of ways. I can totally see Emma Stone as the brainy, feisty Jane. Cal is a bit harder but I can picture Mathew Fox (or a younger, hotter version of him) delivering the cereal killer line with aplomb. This sweet tale of a brainy gal and the jock she brings to his knees would make a terrific rom com. Continue reading →
Before I begin, I must issue a disclaimer. I don’t have ten favorite books. I have hundreds of them. I imagine most of us here at AAR do. When the idea for the Top Ten Tuesday came up I was panicked wondering how I would narrow my list down to just ten. How could I do that? The simple answer is I can’t. I didn’t. The following list will cover one of my favorites from ten of my favorite romance subgenres. Each book is actually representing many peers. And that is an amazing thing. In looking over a few decades of reading romance novels I’ve fallen in love with the genre all over again. There have been so many fantastic reads over the years, so many books that captured the essence of just what I want from a romance novel.
Just what is that you might ask? The answer is both simple and complex. I want a lovely love story. Easy enough, right? Wrong. So many authors still confuse lust with love, giving us two bickering people who have hot sex while barely being able to be in the same room together without making us want to smack them both. Other authors confuse excitement with love, delivering fascinating tales which happen to include people falling in love but not really focusing their story on that magical fact. Yet other authors provide us with caricatures falling in love; their books could contain a disclaimer about no humans being involved since I certainly don’t recognize any humans I have ever met in their characters.
So what happens when authors do get it right? We have two people who genuinely get to know each other. We have the surface action of physical attraction and the emotional aspect of two people being enchanted by each other. We have real lives going on while the romance takes place. We meet friends and family who aren’t just set ups for the next book but who provide us with insight into our primary couple. And we have focus – an intense look into watching the characters fall for each other. That to me makes for a luscious love story. Continue reading →
It looks like 2013 will be one of the best years yet for historical romance listening with many popular print books finally scheduled for audio release.
It starts this month with the release of Julie Garwood’s The Secret, a book that has made every AAR Top 100 Romances Poll since it started in 1998. It’s classic Julie Garwood and one many recall from their early days of romance reading with its original 1992 publication date. And it is being narrated by one of my favorites for historical romance – Susan Duerden.
Brilliance has scheduled the majority of Garwood’s backlist (that is not already in audio format) for release in 2013. A month ago, we saw the release of Prince Charming (Rosalyn Landor) with projected release dates for: Continue reading →
A new release by Robyn Carr is a fabulous reason to celebrate. When you add into the equation that her latest is a new Christmas release plus it features hunky Patrick Riordan, then it is triple the delight as far as I’m concerned. I had the opportunity to interview one of my favorite authors about her writing career, and her very successful Virgin River series. In addition to some great insights into Ms. Carr’s varied writing history, her publisher Harlequin MIRA is providing copies of Carr’s November 2012 release, My Kind of Christmas for some lucky winners. The details on that are listed at the end of the interview. But enough from me. Let’s get to the good stuff.
Leigh: I am very excited to have you here today, as I’ve been reading your books since the late 1990s. You have been writing a long time, first starting out with historicals like Chelynne published in 1980. Was it the change in the industry that made you switch from historicals to contemporary books or just your own internal voice? Continue reading →
Lately I have been wondering about characterization. What is it actually? If an author makes a point of drawing a heroine as self-sufficient and independent but in the middle of the book, she turns needy and clingy, is that a problem with characterization or is the author putting in a touch of realism?
I know an individual’s confidence and self-assurance can vary from situation to situation but I have discovered if an author writes some aspect of a character’s personality down, if I read it, then I expect that character for the most part to act in that manner. Rightly or wrongly, if an author draws a character in the beginning one way, then while they may grow as people, I don’t expect them to regress for no good reason. When I say this, I am not talking about situational reactions. I can easily give an author a lot of leeway if I understand why a character is acting a certain way. For instance, Deborah Smith’s heroine Cathryn Deen from The Crossroads Cafe goes from gorgeous, self-assured, and privileged to isolated, solitary, and desolate after a horrific car crash destroys her movie star looks. Instead of people looking at her in awe they turn away in horror. Her personality and her feelings about herself make a dramatic change, but it’s one that makes sense under the circumstances. Continue reading →
He needs to get out of town so the murderer he is testifying against doesn’t get the chance to kill him too. She needs to get out of town so she doesn’t have to trip over her ex and his blushing bride everywhere she goes. When they both land in Virgin River the scene is set for love.
Hidden Summit is the 17th book in the popular Virgin River series. When we begin the story we join Brie Valenzuela (from Whispering Rock) as she meets a tall dark stranger in a frou-frou coffee shop out of town. No, she isn’t cheating on Mike, but she is meeting another man. Conner Danson is the sole witness to a crime and it is clear the man he is testifying against will go to any lengths to keep him from testifying. He has already burned Conner’s business down to the ground and made threats against his widowed sister and her boys. The end result is forced relocation for Conner, and Virgin River, remote and with a small population, seems like the ideal place to hide. Brie, a former ADA, is Conner’s bridge to a whole new life. Conner’s not happy about the situation but he is determined to see this thing through to the end. He heads up to the hills and goes to work for Haggerty Construction.
Leslie Petruso’s ex-husband seems determined to kill her – with kindness. Even though he cheated on her, robbed her of her half of the communal property and left her heart in tattered pieces, he expects them to be the best of buds. He has done such a good job of painting himself as an angel that even her parents think she should just forgive and forget. Anxious to get away from it all, Leslie takes a job with her old friend Paul Haggerty (Second Chance Pass) and moves to Virgin River. There, she hopes to find a place to heal and get to know what life is like on her own. She doesn’t think she will ever be able to love or trust again. Then she meets Conner. Continue reading →
I love going to RWA nationals for a variety of reasons. However, one of the major thrills for me comes from getting to hear about upcoming books and forecasts for various subgenres of romance. This year, hearing about the various trends in publishing really struck me because many of the types of books listed seemed to hit at opposite ends of the spectrum.
On the one hand, we seem to be inhabiting a period of sweetness and light in book choices. Small-town romances with home and family themes seem to sell quite well. Indeed, some authors with small-town series such as Robyn Carr and Debbie Macomber have almost a cult following among readers. Similarly, unless you’ve been living under a rock, you’ve seen stories about the astounding popularity of Amish/Mennonite romances. Their focus on the simple life and strong family ties again seem to speak to a lot of readers. And in historicals, the light, wallpaper Regency/Victorian is not exactly hard to find either.
So, what about a setting makes it feel romantic? We tend to complain about settings being too wallpapery (the 21st Century Regency) or too cliched (every small town in possession of a fetching heroine must be in want of a sheriff’s attentions to her), but what makes settings great?