I love going to RWA nationals for a variety of reasons. However, one of the major thrills for me comes from getting to hear about upcoming books and forecasts for various subgenres of romance. This year, hearing about the various trends in publishing really struck me because many of the types of books listed seemed to hit at opposite ends of the spectrum.
On the one hand, we seem to be inhabiting a period of sweetness and light in book choices. Small-town romances with home and family themes seem to sell quite well. Indeed, some authors with small-town series such as Robyn Carr and Debbie Macomber have almost a cult following among readers. Similarly, unless you’ve been living under a rock, you’ve seen stories about the astounding popularity of Amish/Mennonite romances. Their focus on the simple life and strong family ties again seem to speak to a lot of readers. And in historicals, the light, wallpaper Regency/Victorian is not exactly hard to find either.
Lately (as in during portions of the past few years when I haven’t been too dazed from work to notice), I’ve been seeing fewer and fewer actual romantic suspense books out there. I see urban fantasy and paranormal romance with suspense plots worked in, and historicals with their suspensey and/or spy-related subplots, but not a lot of actual romantic suspense that takes place among humans. I read across a variety of genres, so I almost didn’t notice it at first. However, as I scanned my bookshelves recently, I noticed that I’d been reading plenty of straight mysteries and thrillers, including some with romantic subplots, but I wasn’t seeing a lot of romantic suspense.
Leslie Parrish is the alter ego of Leslie Kelly, a writer known for her light, humorous contemporaries. But you won’t be finding light fun with the new Black CATs trilogy by Parrish. Instead you’ll be getting dark, edgy, fantastic romantic suspense that readers and reviewers all over the web are buzzing about.
I almost didn’t start reading this series for a number of reasons. Chief among those was that I’d gone through a bout of bad and/or cheesy romantic suspense and I’d become quite cynical. But with the first book, Fade to Black, I couldn’t resist the idea of a heroine as a small town sheriff, so I took a chance—a chance that really paid off.
I loved the second book, Pitch Black, even more, and when I finished that one I was literally buzzing with excitement. Couldn’t-sleep-excited. Must-find-out-what-happens-excited. If Black at Heart had already been released, I would have driven immediately to the bookstore to buy it. At 10:00 at night. In my pajamas. I was (and still am) that excited.