I know there are romantic suspense workshops out there for writers. I’ve seen them mentioned at RWA, among other places. But what makes romantic suspense good for the reader? In reviews, we often mention the balance between romance plot and suspense plot, but I don’t think that’s really all we can go by. After all, you can have a romance that splits the plotting 50-50, but it just never gels. And then there are books like Viper’s Kiss or like many of Karen Rose’s romantic suspense thrillers where the suspense portions of the plot really dominate the story. However, the romance still works. It may get less time and fewer pages, but the leads still have plenty of chemistry. Continue reading →
Do you ever hit those points in your reading where you just don’t know where to start? Usually, at this time of the year, I’m brimming over with reading ideas and books that I cannot wait to dive into. I’ve actually read some VERY good books this year (One Was a Soldier, The Bride Finder, Unveiled and a few more), but for some reason I feel like I’m hitting a wall. I have plenty of books in my TBR, but I just can’t decide where to start.
I would distinguish this from a regular reading slump because my problem isn’t that I just can’t find anything that grabs me. My dilemma is more about being spoiled for choice. I’ve got books on my Kindle that sound fantastic, I’ve been getting fun-sounding review books and my print TBR hasn’t exactly shrunk all that much. I look at my books and feel myself being pulled into way too many directions. I always have a review book to read, but it’s what to read on the side that gets me. Continue reading →
I have caught a new addiction: I hunt the net for free and bargain eBooks. Thanks to the delightful folks at Mobileread and here at AAR Potpourri Forum, and thanks to special discounts offered by ebookstores like Fictionwise or Kobo, and by publisher sites like Harlequin, Avon or Carina, I pick up loads of books for comparatively little money. Let’s take the last two months: In April, I acquired 66 new eBooks, and altogether I paid $ 70. In May I acquired 171 new eBooks, and I paid $ 210. On average, that’s $ 1.18 per book, and considering I still paid full price for a number of them, you can see how many came completely free. Before I started to gather my numbers, I was going to write that I now bought more books than usual, but paid less for them than I had done with paper books. Faced with the exact numbers now, I must concede that while this is certainly true for April, in May I spent more on books than usual, ending up acquiring far higher numbers than in any other month before.
I made extensive use of Kobo’s delightful € 1 off discount for a lot of books, especially books from Smashwords and Harlequin that were cheap to start with, and with the discount came free, or virtually free. Similarly, in May there were very good discounts and bargain prices offered from Fictionwise and Carina Press. I want to point out that I acquired all of my new books legally, respecting geographical restrictions and never pretending I was from anywhere but Europe. And I want to add that were I a citizen of the United States, I would have had even more books available, and were I prepared to read books on my PC with a Kindle App, even more. Continue reading →
Earlier this year, Leigh blogged about liking lighter romance. I enjoyed her piece and it got me thinking about my own views on tone in the books I prefer to read. I certainly don’t mind humorous romance or laugh out loud slapstick in the least. The book within a book from What Happens in London is one of my romance reading highlights! However, I have a soft spot for the dark and angsty, or at least the dramatic and serious, and many books on my keeper shelf feature heroes and heroines who really had to work for that happy ending.
Not too long ago, Sandy Coleman blogged about romance cliches she would love to see die. That got me to thinking about the plotlines and features I just love in a romance. I’m sick of small-town sheriffs and I never really went for the obligatory baby-studded epilogues, but there are some recurring plot features(and at least 1 not recurring enough) that make me such a happy camper, and they are:
So, what about a setting makes it feel romantic? We tend to complain about settings being too wallpapery (the 21st Century Regency) or too cliched (every small town in possession of a fetching heroine must be in want of a sheriff’s attentions to her), but what makes settings great?