This is a guest post from author Jill Sorenson. Her first motorcycle club romance Riding Dirty comes out on October 1st. Jill is giving away a copy of Riding Dirty to one lucky AAR reader. (Thanks, Jill!) Just enter a comment below.
They’re back! Today Suzanne Brockmann and Jill Sorenson have more to say about writing, diversity, privilege and more. If you missed Part I, you can find that here. And – after the interview, you will find details for a Sorenson/Brockmann giveaway to enter. – Lynn
(JS) I appreciate the fact that you write characters of color and embrace diversity. I live in the San Diego area, near Camp Pendleton, and it’s a very diverse community. It’s jarring for me to read a military romance (or a football romance, for another example) without characters of color. We live in an increasingly multicultural society and I want my books to reflect that.
(SB) Oh, I’m so with you, there! I, too, have a house outside of Boston, in a town that is extremely multicultural. I believe that diversity is what makes America great. We started out as a melting pot, and we still very much are. Continue reading
Not too long ago, I wrote a piece discussing how, among other things, I wished that I could see more authors speaking publicly and candidly about books and the romance genre. Now we here at AAR are very happy to be running this interview between Jill Sorenson and Suzanne Brockmann(whose works will be appearing together later this month in Passion and Peril) in which they talk about writing and a variety of topics in romance. – Lynn
(JS) Thanks so much for agreeing to this interview! I’ve enjoyed so many of your books, especially the Troubleshooters series, and I’m very excited about our upcoming release, Passion and Peril. It’s a dream come true to get bundled with you.
(SB) Thanks, Jill! I’m jazzed about this 2-in-1, too! I think it’s a really fun pairing!
(JS) I wanted to interview you for a couple of reasons. We have a book to promote, so there’s that. You’ve also been a huge inspiration to me, and I thought you might have some helpful insights for anyone interested in writing diverse characters.
Let’s start with secondary characters. I loved the geeky teen romance in The Unsung Hero. The drunken hookup between Sam and Alyssa took my breath away. I’ll never forget Jules and Robin’s first kiss. You have a knack for creating a strong supporting cast, and sometimes I’ve been more invested in them than the main players. Readers have said this about my books as well. Do you think writers should try to limit the influence of secondary characters? Continue reading
An environmentalist myself, I like to read about other environmentalists. Folks who care about nature and who are prepared to adapt their lifestyle so as to deal with it more carefully are almost automatically likeable to me. Which is why I really enjoy them as heroes or heroines in my romance reading. Considering how big a topic the environment is in real life, it is quite astonishing, however, that environmental protection does not play a particularly large role in the world of romance. Now one might argue it is not sexy – after all, what’s sexy about getting double glazing or riding a bike? – but protecting the environment is caring, is looking beyond one’s own pleasure, and that to me is one of the core themes of romance.
My very first romance novel was Lord of La Pampa by Kay Thorpe, an old Harlequin Presents title. It starred a naïve British girl and an arrogant Argentinian cattle rancher. She had come to Argentina for a dancing job and instead found herself facing the possibility of working at a less savory profession. He had to be married in the next three days in order to inherit some land. The two make a bargain to marry without love but at some point – well, I’m sure you know what happens from there.
So it’s no exaggeration to say that romances with Hispanic characters have always been a part of my reading, even if some were drawn in somewhat stereotypical fashion. For many years Harlequin was my primary source. Along with novels by Kay Thorpe there were literally dozens of others published every year by authors like Anne Mather, Kim Lawrence, and Lynne Graham. As I began reading single titles, these characters stayed with me. From older books like Judith McNaught’s Tender Triumph to newer books like Regina Jennings’ Sixty Acres and a Bride, I’ve been able to enjoy excellent novels that celebrate the diverse cultures that make up the Latin American world.