I recently came across this wonderful piece by Sophia McDougall called “I hate Strong Female Characters.” McDougall is not referring to female characters with physical and emotional strength (for instance, she likes Buffy and Jane Eyre). Rather, she means the archetypal Strong Female Character, who establishes her “tough” cred through arbitrary rudeness, punching, slapping, kung fu, gunshots, etc. (McDougall calls it “behaviour that, in a male character, would rightly be seen as abusive (or outright murderous)”). Men are more powerful in Hollywood, on which McDougall focuses, but the female-centric world of romance has its share of SFCs, most famously in Lord of Scoundrels but also in some of my recent review books, such as Jo Beverley’s Seduction in Silk and Lilith Saintcrow’s The Red Plague Affair. But what about our heroes? Do we do the same token oversimplification of the other gender that male writers do? Are they strong, or are they Strong? (more…)
Archive for the ‘Characters’ Category
Nick is a romance hero. He’s never – no, never! – going to get married. You can see why, of course; you need conflict to drive a plot forward, and if Nick sees Elizabeth, falls in love with Elizabeth, proposes to Elizabeth, and marries Elizabeth without a hitch you’ve got one short (and probably not all that interesting) book. A hero (or somewhat less frequently, heroine) who is never – no, never! – going to get married can provide that hitch in the relationship that makes for a good conflict and interesting reading. Well, except when it’s totally lame. If there is one knee jerk conflict that authors like to turn to, this is it. I see it more often in contemporary novels, likely because birth control is widely available and modern sexual mores more permissive. But if pops up fairly often in historicals too, usually for different reasons. I can hardly open a book without running into Nick or one of his ilk. Since the my most recent read with a marriage phobic hero got on my last nerve, I decided to provide this helpful list of acceptable and unacceptable reasons to never – no, never! get married. (more…)
Even if you aren’t a fan of the book phenomenon that is Fifty Shades of Grey, you have perhaps heard about the brouhaha surrounding last week’s announcement of the casting of the future movie. Apparently fans of the book are so upset at the prospect of actors Charlie Hunnam and Dakota Johnson taking on the roles of Christian Grey and Anastasia Steele (respectively, of course), they are actually trying to force a change via online petitions. Rather, they’d envision Matthew Bomer and Alexis Bledel as the perfect Christian and Ana, despite the fact that neither of these two actors appears to be interested in participating in this particular book-to-film adaptation.
While I try hard not to judge anyone’s passion, I simply cannot understand what seems to me to be a rather extreme reaction to a movie about fictional people. Instead of rending garments and ranting in cyberspace about how Hollywood is obviously determined to destroy something sacred and beloved, I advocate a wait-and-see approach.
Because, after all, it’s happened before. (more…)
Bad girl heroines hold a special fascination for many romance readers because these women go against the grain of what we expect in a romance in a number of ways. They are aggressive, they take the lead, they act selfishly or irresponsibly, and they may even be without remorse. They don’t mind using their charm and attraction for their own advantage, and they even use their bodies to get what they want. Often they are outcasts, be it from choice or from necessity. However, as many of them are strong, independent characters, they are highly interesting to read about.
There are several special title listings at AAR that contain such heroines.
The Tormented Heroines are at odds with their role in society, and this results in their acting against the rules of sweet and caring womanhood. They may be cynical, eccentric, manipulative, selfish, or any combination of these. In any case they are mad, bad, and dangerous to know, and it takes a very special hero to bridge their defenses and let them find happiness. With these heroines, it is often clear that even the happy ending is only a single step forward in a battle of wits that will last for and enrich their entire lives. No conventional happily-ever-after here! (more…)
Oh, the Mary Sue. Frequently the bane of my existence. The few books I actively hate have Mary Sue characters as the leads. But what is it about the Mary Sue that enrages so many readers? And what is it about her that many others really enjoy?
So first, who is Mary Sue? Well, you know you’re reading a Mary Sue novel if your heroine (or your hero, known to some as Gary Stu):
- has no real faults as a person/characters, except those that are “adorable”
- is liked or loved by every member of the desired sex (whether male or female)
- is only hated or disliked by the bad guys or people who are jealous
Do you ever find certain types of characters difficult to like? I wouldn’t say that any particular type of hero or heroine is completely a “no go” for me. I firmly believe that, in the hands of a good author, just about anything can be made to work. However, when I come across certain character types on a book blurb, the description is not going to have me clamoring to pick up the book – often because it’s something I’ve seen handled less than skillfully way too many times before.
Pirates definitely fall into that category for me. I don’t know if it’s my background of having studied European and Middle Eastern history, but nothing I know about pirates makes them terribly romantic to me. Most historical accounts I have read make them sound uneducated and brutal, and conditions onboard ship sound filthy and unappealing. While I will admit that Jennifer Ashley’s pirates worked for me, the first pirate hero I remember encountering came in Joanna Lindsey’s somewhat infamous A Pirate’s Love. If you look up “rapey ‘hero’” in the dictionary, you just might find an image of Tristan there.
Other pirate/privateer novels I read over the years tended to have similar issues. However, even among the ones that didn’t feature rapist “heroes,” I just couldn’t move beyond the difficult life of a pirate to see the story as particularly romantic. Various authors, including Meagan McKinney, wrote pirates or privateers that one could consider dashing, but Jennifer Ashley was the first author I found who managed to humanize that sort of hero and make him truly appealing.
On the heroine side, while I haven’t found too many in recent novels, I used to run across gypsy heroines in older books and I have to admit that they have yet to work for me. As any of us who cut their teeth on Barbara Cartland novels knows, Cartland had a huge interest in gypsy culture that extended to founding several gypsy camps in England. This interest seems to have extended to a hugely romanticized view of gypsies in her novels. (more…)
As we said several weeks ago, we were simply bombarded with submissions when we opened these two lists up for your nominations, with over 150 recommendations for each. We have now posted the revised lists at AAR, but have a few issues to raise as you’ll see below.
Suspense & Mystery List. We’re afraid that the Suspense & Mystery list – as currently constituted – may have outlived its usefulness. This list was created in 1997, long before the power search was available at AAR. We believe that the Special Title Lists should provide something different than the power search feature. For example, we don’t have a Special Title list for Medieval Historicals or European Historicals or Contemporary Romances. So does it make sense to have a Special Title list with part of its definition as Romantic Suspense? We don’t think so, but we’d like your thoughts. (more…)
Back in July of 2006, Robin Uncapher wrote an At the Back Fence column (#232) that is so timely for me as to be kind of eerie. She discussed the role age plays on romance novels: in who buys them, in how the age of the heroine is perceived, in what is considered acceptable versus creepy…well, just go read the article because I’m not doing it justice.
This particular topic is timely because next week I will celebrate my birthday. I’ll confess that this particular one shifts me closer to fifty than to forty, and if I think on it too long, I tend to get a big panicky. I know I’m still in the prime of my life, hopefully with at least another four or five decades to go. To call myself ‘old’ is as insulting and ridiculous as the size 2 supermodel calling herself fat. (more…)
I just finished Judith McNaught’s Someone to Watch Over Me, and the main characters are… fine. He’s a bazillionaire who’s loved her for a long time. She’s a successful Broadway actress who doesn’t trust his criminal past. Like I said, they’re fine, with all the faint-praise-damning and forgettability that that word generally implies. But the book will end up on my keeper shelf anyway, because the secondary romance between Detective Samantha Littleford and and her superior, Lieutenant Mitchell McCord, is just too good not to reread.
What made Samantha and McCord so enjoyable? I love office romance/off-limits attraction plot devices because they put up plausible barriers to the couple’s courtship. As the senior police officer, McCord can’t express any feelings towards Samantha without running afoul of every procedure and regulation in the book. Consequently, he’s so self-contained that Samantha can’t even tell if he likes her. (more…)
Most of you are aware that one over-used source of conflict in a fictional relationship that drives nearly all readers absolutely batty is the Big Misunderstanding. You know the trope. The hero or heroine witnesses something or overhears something or is told something that leads him or her to a wrong conclusion about his/her love interest. Rather than confront the potentially wayward lover as soon as possible to ask her/him to explain the situation, the discussion never happens and the romance grinds to a complete halt. Too often, this Big Misunderstanding drags on and on to the point of ridiculousness, causing the reader to want to shake the fictional characters silly and throw the book at the wall.
The problem with the Big Misunderstanding these days is not so much that they happen – people frequently do jump to the wrong conclusions – it’s that the conversation it would take to clear things up is so easily arranged. At least in historicals or any story set before telephones, the character who gets the wrong idea can flounce off the scene in a snit, making a soul-cleansing heart-to-heart chat much harder to happen until their unjustly maligned partner physically hunts them down. (more…)