I was lucky enough to get a chance to sit down and chat with Sarah MacLean while at RWA. (This was before she won the RITA for best historical romance!) I wanted to follow up with her. I’d talked to her in December of 2013 about her challenge to The New York Times and that paper’s dismissal of romance. Since then, Sarah has been writing a regular column for the NYT’s rival, The Washington Post, about–gasp–romance novels. (more…)
Archive for the ‘Defining Romance’ Category
A few months ago, I wrote a tongue-in-cheek guide to writing a successful New Adult novel. I wrote this piece after reading yet another book that seemed to follow such a formula as to be suspect, that this Mad Libs method of simply filling in the blanks with different names, locations and minor details had gone beyond the realm of coincidence. While my blog post was meant in fun, I do believe that there is a definite pattern that far too many NA books follow. But if readers are snatching them up in record numbers, who am I to argue with the maxim, if it ain’t broke, don’t fix it? (more…)
How do we define romance? On a romance blog, one might as well ask what is life. It’s one of those broad, overarching topics susceptible to endless debate. We see authors offering endless variations from the most conventional to the most edgy and subversive. And yet, at the end of the day, we expect our lead couple to end up happily ever after – or at least happy for now. Though I still get irked with market restrictions from time to time, I have appreciated in recent years that we’ve been seeing a market full of change, choices, and great authors. And then I went to RWA 2012 in Anaheim.
The Elimination of Novels with Strong Romantic Elements as a RITA category
At the general meeting in Anaheim, Romance Writers of America(RWA) announced that it had decided upon a plan to reconfigure the RITA awards. (more…)
The astounding success of 50 Shades of Grey has a lot of folks bewildered. Publishers included, quite clearly.
While all of us stumble around trying to make sense of it, I was stumped when a reporter asked me recently why it was such a success. Expecting a succinct answer, I started to talk about covers and the appeal of the hero and it clearly wasn’t what she was looking for. She wanted a firm and fast answer.
And I just didn’t – and still don’t – have it. But you know what? Its clear that publishers don’t either.
I’ve seen the recommendations for those who liked 50 Shades and they strike me as tone deaf. As in, “here, are our stale traditionally published books, give us some of your money” recommendations. Please.
One thing that’s completely clear to me: 50 Shades is fresh. As in fresh in tone and feeling and style. It’s got a feeling of freshness to it that I haven’t seen coming out of New York in a very long time.
New York publishers are bound (sorry) by tradition. They do things the same way they’ve always done them. And they are sluggish. I have no doubt that they are scrambling right now to find the next new 50 Shades authors. They’ll put them on the fast track and, gee, we might see a resulting book in about a year. Too little too late, I’m afraid since who knows what readers will want by that time? Chances are, it won’t be another 50 Shades.
AAR’s sensuality ratings have come under discussion lately due to the changing nature of the romance industry in general. With the recent proliferation of racier novels, what was once declared Hot may now be considered barely Warm by our readers. The language used in love scenes, once a deciding factor in rating, has also changed drastically in recent years. Quaint euphemisms such as “manhood” or “heated channel” have fallen by the wayside.
If we update our sensuality ratings in response to changes in the industry, what sort of changes should we make?
One issue under discussion was possibly adding another category after Burning. For instance, Penelope and Prince Charming by Jennifer Ashley was given a Burning rating because of some mild anal play and very frank love scenes. But does PaPC compare to Sarah’s Seduction by Lora Leigh which would be given the same rating by today’s rules?
And how should language affect rating? In the not so distant past the words “cock” and “clit” were pretty rare in mainstream romance, their presence garnering a Hot rating just on principal. Is it shocking to read a review rated Warm, only to find language once considered very blue when you read the book? Conversely, some readers may be disappointed to purchase a book rated Burning because of language or one delicately described incident of alternative lovemaking, when their hope was for something more raunchy.
During my life I’ve been a critic and/or a reviewer of books, movies, theatre, live events, and art. I’ve written a weekly book review column as well as a weekly art critic column.
Everywhere I’ve worked and for everyone who edited my writing, what a critic or reviewer is and should do has been a bit different.
In the early ‘70s, my editors saw the job as that of critic, the point being to give an honest critique of art pieces I saw in local galleries. Critique, in this case, meant being harsh. I tended to write my columns only about pieces I liked and avoided technical art language in favor of the language used by everyday people. I tried to describe the art in terms of how the piece made me feel, not how the various art elements worked in the piece. Oddly (to me), my columns produced positive letters to the editor, which, of course, made my editors happy.
When I switched newspapers, I became a critic at large, being assigned various entertainment events to cover. This included people like Tony Orlando and Dawn or Liberace, family events like the Ringling Brothers Circus, and generally any event other critics couldn’t cover.
While reading message boards online, I have happened upon a phrase that stuck with me. The reader said that she couldn’t stand to see how “Heroine X settles for Hero Y”. She expected her heroine to find love with another, and regarded her turning to the hero and her finding love with him as ‘settling’. I have come across this phrase more than once in comments various places, usually when a romance heroine has the choice between a very compelling love interest and one who is slighly less fascinating, often a beta hero. If you think about it, how often does the heroine choose the less compelling, but more stable, love interest? Very rarely! Why is the more rational choice of a life partner called ‘settling’ and frowned upon in romance?
As many of you know, I moderate AAR’s romance discussion list, AARlist2. In the past, I’ve discussed on the forums about how some authors have abused AARlist2 as a promotion tool. Well, it happened again. Recently, a member posted a promo that offended some members. Why? Gee, it might be because it involved incest, among other things.
Whoops! AARlist2 is a romance list, and last I heard, most romance readers aren’t really into incest scenarios. So I apologized to the list, sent a polite message to the original poster, and deleted her post. I also realized this would be a good time to update the list guidelines, making it clear this sort of post was a Bad Idea. Why was there no guideline about this before? Because it was common sense, or so I thought. Live and learn.