Archive for the ‘Settings’ Category

Bring Them Back!

Monday, May 13th, 2013

map There have been a couple of posts – one of them here at AAR, a later one at Dear Author – in the last couple of weeks that have talked about the decline in both the quality and availability of Historical Romances. Lots of different perspectives were offered, and some of the more frequent criticisms that came up were to do with the fact that many HRs today are perceived as being too formulaic, or that there are too many stories in which characters living in the early 19th Century act and speak as though they are from the 21st. It seemed that one of the biggest complaints, however, was to do with the fact that so few Historicals are being published that stray outside the Regency period and/or are set outside England.

Speaking as someone who reads Historicals almost exclusively within the genre, I found much to chew over in these discussions – including the perspectives of some authors who do write novels set in different time periods and locations, in which they explained how hard they find it to sell their work to a major publisher because it doesn’t fit what seem to be their preferred parameters – i.e 16th Century (for historical fiction) or 19th Century Britain. (more…)

In Search of the Big Romantic Saga

Friday, March 1st, 2013

horseireland I missed a lot of the old school historical romances the first time around, but starting in college, I began to discover them in used bookstores. There are definitely some aspects of Ye Olde Romance that are best forgotten (such as A Pirate’s Love and similar rapefests), but the older books had their good points, too. Roberta Gellis has long been a favorite of mine, and I remember how her stories could span years of a couple’s story, taking them through all manner of places and conflicts. (more…)

Starting to Explore Australian Romance

Tuesday, January 15th, 2013

I have read several comments by different overseas authors that U.S. publishers advise them that they must sanitize their books to remove language and settings that make them uniquely different. Just recently, Sarah Mayberry in her interview here stated “Australian writers are constantly being told by the big mainstream publishers that U.S. and U.K. audiences don’t want to read about Australian heroes and heroines and settings.” Well, for me that is completely wrong. It is no secret that I love to do armchair traveling by reading books that incorporate the author’s native colloquialisms, dialect, or traditions. I read numerous Canadian, Australian and British authors. (more…)

Are you Ready for Vietnam-era Romance?

Thursday, November 29th, 2012

Nearly three years ago Lynn asked, “Is the 20th Century “Historical” Enough Yet?” I’ve written here about my love of Post-World War I and World War II era mysteries and have indicated I would like to read more romances set in those eras. But until recently I would have said I’m not ready for a romance set in the late 1960s or early 1970s. In fact, just last month in a post I wrote here about whether contemporaries could become historicals, I commented, “I’m not sure if I’m ready for a romance — written today — set much before 1990. I know too much about the time period and the limitations many women faced. On the other hand, I won’t reject it outright.” (more…)

Do Contemporaries Ever Become Historicals?

Monday, October 29th, 2012

Lately I’ve been thinking about the boundary between contemporary and historical romances as I try to place new submissions for the Special Title Lists appropriately. Although not a romance, my reading of the Flavia de Luce mysteries also has me thinking of this boundary.

The Flavia de Luce mysteries, set in post-World War II England, are considered historical mysteries. But what if they were romances? According to Wikipedia and numerous other Web sites, contemporary romances are set after World War II, while historical romances are set before or during World War II; by that criterion if Flavia grows older and falls in love her book might be considered a contemporary romance. I say “might,” because Wikipedia also notes that contemporary romances are generally “set in the time when they were written, and usually reflect the mores of their time.”
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Melting Pot Challenge: India and Indian Characters

Friday, August 17th, 2012

Haunting Jasmine When I first began reading romance, India was a popular setting for books. A lot of the books had to do with English characters of the British Raj falling in love, such as Mary Putney’s excellent Veils of Silk. Others were sweeping historical sagas detailing the occupation of India like The Far Pavilions by M.M. Kaye. The descriptions of the lush, hot land beguiled me as a reader. I became an armchair traveler, visiting exotic temples, cool palaces filled with tinkling fountains and of course, devouring information on the Kama Sutra.

When the Regency domination of historicals began, exotic books were dropped in favor of glittering ballrooms. India became a casualty of the Napoleonic Wars. And perhaps evolving attitudes toward colonialism have made the British Raj look a little less romantic as well. (more…)

More on Diversity

Tuesday, July 24th, 2012

I have never read a book by Tana French and the first time I saw her name was in the Eagerly Awaited August Books where both Dabney and Lynn indicate that they are looking forward to her new release Broken Harbor.  Then while surfing the Web, I came across  her name again.  She wrote an article for Publishers Weekly outlining her writing tips.

A few of them didn’t resonate, but this one did:

There’s no such thing as ‘men’ or ‘women’. There’s only the individual character you’re writing. One guy emailed me asking me how to write women, and I couldn’t answer, because I had no idea which woman he meant: me? Eleanor of Aquitaine? Lady Gaga? If you’re thinking of ‘men’ or ‘women’ as a monolithic group defined primarily by their sex, then you’re not thinking of them as individuals; so your character isn’t going to come out as an individual, but as a collection of stereotypes. Sure, there are differences between men and women on average – but you’re writing an individual, not an average. If your individual character is chatty on the phone or refuses to ask for directions, that needs to be because of who he or she is, not because of what he or she is. Write the person, not the genitalia.

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2012 Reading Year So Far: Chick List and Women’s Fiction

Wednesday, July 11th, 2012

Last week we featured a sneak peek at 2012 debut authors. This time, I’m taking an early look at Chick Lit and Women’s Fiction for 2012, a category that at times has been a bit of a problem in the Annual Reader Poll at AAR. Some years we pollsters wonder if we’ll have enough votes for any single title to declare a winner. This wasn’t the case in the 2012 AAR Reader’s Poll for books published in 2011, when Jill Mansell’s To the Moon and Back was the winner in the category. A number of 2011 books captured readers’ attention and received quite a few votes in the category.

But in other years we’ve had more problems. First, a lot of AAR readers avoid both genres and leave the category blank on their ballot. Now this isn’t a problem for the readers; I tend to have a number of blank categories on my ballot each year as well (Biggest Tearjerker, Best Love Scenes, Best Romantica/Erotica to name just a few).

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New Book Trailer Discoveries

Tuesday, May 29th, 2012

I love movie trailers. Back in February I saw a trailer for The Best Exotic Marigold Hotel and was hooked. It stuck in my mind as a “must see” movie, one I finally got to see this past weekend. But I’m not just a fan of movie trailers, I’m also addicted to book trailers.

Whether they’re created by readers or professional firms, I can be endlessly entertained by a good book trailer. I know some readers disagree. Over three years ago Jane posted here about her dislike of book trailers. Book trailers work differently for me than movie trailers. I rarely see a book trailer until after I’ve actually read a book. Every few months I find myself checking out YouTube for new – or previously undiscovered – book trailers by some of my favorite authors.  I thought it might be fun to share with you some of my new favorite trailers.

I love this trailer for C.A. Belmond’s A Rather Remarkable Homecoming. It begins with some gorgeous video of scenes where the book was set. It then moves on to a bit of text describing the characters and the plot. That’s it. It’s short, but the background music and everything about it fits with the book.

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Favorite Settings: Greece

Monday, May 21st, 2012

ia-view2-from-boatI love vivid settings in romance and am particularly fond of foreign settings. When they’re done well, I learn more about a country, feel as if I’m there, but still enjoy the story. Long before I ever visited Greece I fell in love with the country – or at least one of the Greek Islands – by reading Mary Stewart’s The Moon-Spinners, set on the island of Crete. I haven’t visited Crete myself, but feel as if I actually know what parts of it look like thanks to Ms. Stewart’s words. What I carried with me, for years, were the windmills of Crete.

After I read The Moon-Spinners for the first time, I knew that someday I wanted to visit Greece, and at least one Greek island. And I also knew that I wanted to read more books set in Greece – both the islands and mainland.

The Special Settings section of AAR’s Special Title’s Listing includes six books set in Greece, three by Mary Stewart. I’ve tried five of the six books, but have enjoyed the three by Ms. Stewart the most. In addition to The Moon-Spinners, the list includes Ms. Stewart’s My Brother Michael and This Rough Magic.

Rike gave a DIK review at AAR to Mary Stewart’s My Brother Michael, set in Delphi. Rike notes of Delphi that:  “It’s a truly magical, mystical place. Whatever your own religious persuasion is, there you’ll find it very easy to feel close to a higher being, and understand perfectly well why the Greeks built a sanctuary for Apollo on that very mountainside.”

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